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REPORTS by PARTICIPANTS |
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| Many professionals have participated in one or (often) more of David Moulton's and Tom Bates' courses at the Center for Audio Studies. Many have ventured their opinions about the experience, describing its value to them. Here are some examples:
"There's nothing like learning from a real human beingespecially an experienced, articulate, and humorous human being!" Peter Viscarola (above left) about David Moulton -------
Then there's this about Total Recording, David Moulton's definitive textbook, required for a number of the Center's courses: At the start of the first session of each multi-session course (i.e., except the Golden Ears seminar), the Center for Audio Studies asks participants to fill out an entrance questionnaire, to state their background, needs, hopes, and expectations for the course. At the final session of each course, in addition to awarding each participant a Certificate of Completion, the Center passes out an evaluation form, to get feedbacklikes, dislikes, suggestions, etc. The post-course evaluations give a good impression of each course's content and style, and its value to participants. A representative sampling follows below. PRINCIPLES of AUDIO for AUDIO PROFESSIONALS, taught by David Moulton Met your expectations?: "Very well" / "Fully and beyond." / "Max!" / "100% everything I wanted to learn was taught." / "My cup runneth over with filled expectations" / "completely and more" Favorite topics: "I particularly appreciated the abundant anecdotal examples of audio principles based on real experiences." / "signal flow, setting levels, EQ, signal processing, miking, acoustics, consoles, mixing, loudspeakers, digital process, Pro Tools in action..." / "...waveform stuff, live microphone demo...The EQ and compression stuff was a real eye opener..." / "mixing how to set up and do a mix with EQ, comp, reverb" Favorite attributes of the course: "Interactive environment, both with equipment and people" / "the relaxed, open, and supportive environment" / "...easy going and deeeeeeeep (in knowledge!" / "Dave's unflappable patience and clarity of teaching. His textbook is wonderful." / "Dave's experience the fact that Dave's knowledge is broad yet authoritative absolutely definitive. This is sooooo rare, and to find somebody who can also explain this stuff well. Wow!" / "...free coffee and donuts, and the practical information and examples. It is very helpful to hear an example of a theory or concept as opposed to just trying to grasp the idea of something." PRINCIPLES of PRO TOOLS (originally Pro Tools: Getting Started), taught by Lauren Weinger Met your expectations?: "Yes!" / "Completely and more!" Favorite topics: "getting audio into the computer, compatibility issues..." / "plug-ins, mixing" / "aux tacks and elusive Pro Tools features" / "bussing and aux tracks, working with my own computer and the hands-on approach" Favorite attributes of the course: "Energy level" / "non-linear topical presentation" / "All" / "The whole class brought up my level of understanding" PRO TOOLS for PROS, taught by Brian Doser Met your expectations?: "The course met and exceeded my expectations." / "...surpassed my expectations" / "I learned tons of useful things that I have instituted (in my studio) immediately." Favorite topics: "...audio for video, plug-ins, soft synths, etc. all were great!" / "Beat Detective, Sound Replacer, Digibase, dither, DSP management, OS X benefits..." / "...short cuts, mixing techniques, checking out plug-ins" / "TV post, mixing, mastering" / "Watching Brian work with students' mixes was great. Seeing how to set up groups and subgroups, and how and where to use plug-ins." / "I enjoyed all of it." Favorite attributes of the course: "The open feeling to ask anything -- great job, Brian!!" / "Brian being open to discussion and questions" / "...relaxed environment...Brian's ability to handle my dumb questions; Brian's experience using third party products." / "Great blend of different ways of looking at concepts." To see photos of recent classes, visit the Photo Gallery. Copyright 2003, Parsons Audio. Your questions, comments, and contributions >>> Webmeister@paudio.com. |
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